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摘要:在國內(nèi)設(shè)計(jì)行業(yè)，傳統(tǒng)元素的運(yùn)用在現(xiàn)代室內(nèi)設(shè)計(jì)中已成為一種趨勢，社會的需求和文化發(fā)展提倡在現(xiàn)代室內(nèi)設(shè)計(jì)中使用民族裝飾元素，以傳承和發(fā)揚(yáng)傳統(tǒng)文化。將傳統(tǒng)裝飾元素運(yùn)用到現(xiàn)代室內(nèi)設(shè)計(jì)中有利于體現(xiàn)設(shè)計(jì)的多元化和民族特色，設(shè)計(jì)的表現(xiàn)也在傳統(tǒng)的高度上獲得民族藝術(shù)的生命力，創(chuàng)造出具有中國傳統(tǒng)特色的現(xiàn)代室內(nèi)設(shè)計(jì)。然而，我們只有深入研究傳統(tǒng)裝飾元素，融會貫通，才能使傳統(tǒng)裝飾元素的現(xiàn)代應(yīng)用更加趨于理性。融合貫通是在繼承傳統(tǒng)裝飾元素的基礎(chǔ)上創(chuàng)新，是將傳統(tǒng)和現(xiàn)代結(jié)合在一起，在繼承中回歸，在融合中創(chuàng)造，古為今用，尋找傳統(tǒng)與現(xiàn)代的對接點(diǎn)。正因?yàn)槿绱?，本論文將以北京的納蘭家宴酒店為例，結(jié)論理論與實(shí)際，闡敘中國傳統(tǒng)裝飾元素在現(xiàn)代室內(nèi)設(shè)計(jì)中的運(yùn)用方法與效果。 關(guān)鍵詞：現(xiàn)代室內(nèi)設(shè)計(jì)，傳統(tǒng)裝飾元素，傳統(tǒng)文化
Abstract:In domestic design industry, it has been a trend to apply traditional elements in modern interior design. Social requirement and cultural development advocate applying national decoration in modern interior design in order to inherit and promote traditional culture. This application also helps to embody diversification and national characteristics, creating modern interior designs of Chinese-unique, thus the design would gain vitality of national art in a tradition height. Only when we have an intensive study to traditional decorating elements, integrating and digesting, can we apply and modernize traditional elements in a more rational way. Integrating and digesting means that we make creativity on the basis of inheriting traditional decoration, searching for the fusion point between modern design and traditional elements, thus to combine the modern and the traditional, making the past serve the present. Therefore, this paper, taking the Nalan Jiayan Hotel in Beijing as example and combining theories with reality, has a study on the application of Chinese traditional decoration elements in modern interior design and its effects. Key Words：modern interior design, traditional decoration elements, traditional culture.
本文首先針對中國傳統(tǒng)裝飾元素概念不明確的現(xiàn)狀，通過文獻(xiàn)資料研究，對傳統(tǒng)裝飾元素進(jìn)行釋義，將其定義為：傳統(tǒng)裝飾元素是指人類在發(fā)展過程中形成并廣泛流傳下來的一些基本裝飾要素以及這些要素所包含的設(shè)計(jì)理念。然后對中國傳統(tǒng)裝飾元素在現(xiàn)代設(shè)計(jì)應(yīng)用中進(jìn)行分析及其文化內(nèi)涵的借鑒，對其中一些經(jīng)典的紋樣、文化的傳統(tǒng)寓意和在現(xiàn)代室內(nèi)設(shè)計(jì)中所傳達(dá)的特性做了詳細(xì)分析說明，對幾種經(jīng)典元素所能營造出的不同空間感以及適用性給出了具體運(yùn)用的實(shí)例分析。從提煉傳統(tǒng)裝飾元素的文化內(nèi)涵中，得出設(shè)計(jì)的理性原則：在設(shè)計(jì)中應(yīng)注意人文關(guān)懷方面的考慮，比如人們對吉祥如意的追求；在設(shè)計(jì)中運(yùn)用對立統(tǒng)一規(guī)律來做造型，體現(xiàn)以人為本的原則，而不是為了裝飾而裝飾；在設(shè)計(jì)中既要考慮人們集美思想的本能反應(yīng)，還應(yīng)站在設(shè)計(jì)師的角度做理性把握，做到元素使用的不堆砌。對傳統(tǒng)裝飾元素的運(yùn)用，過于停留在表層，膚淺化、符號化、標(biāo)簽化；過于追求深層，剛過分抽象，失去傳統(tǒng)的形象；過于局限在傳統(tǒng)用材中，則沒有繼承和發(fā)揚(yáng)。我們應(yīng)該吸取傳統(tǒng)裝飾文化內(nèi)涵中中庸之道的思想，充分理解“適度”的重要性，辯證地分析和解決問題。
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